It is hard to imagine that someone with such a powerful countenance, a relentless passion for social justice, an endless flow of wit from his pen, could ever rest. Athol Fugard, award-winning South African playwright, director, and actor.
He was so incensed by Apartheid that the government even withdrew his passport for a number of years. I had the distinct privilege of teaching his plays a few years ago to an A level Cambridge Literature class. What fun we had!
(Internet photo)
There is so much to grasp between the pages of the play 'Sizwe Bansi is Dead.' Athol's tangible impact is undeniable. He creates characters and scenes from the most mundane and everyday situations and ignites them into an unforgettable life event. The potent discrimination during Apartheid is so well described and articulated in this play, and leaves anyone quite numb.
Being a white South Africa, enraged by the Apartheid system, attracted its own backlash and antagonism and yet Athol was consistent in his stance.
No-Good Friday, another of his plays, is highly memorable and intertwines such unimaginable tension during Apartheid in Sophiatown.
Reading Nongogo left us with so many questions about blurred lines, survival and justice. I would have loved to have met this unmatched genius.
To a great person, rest well.
Beverley N Nsengiyunva
Bless!